Inside Havana is composed of a group of the most staggeringly beautiful and insightful photographs of Havana one could imagine. I loved this book. Andrew Moore has, with sumptuous color and exquisite sensitivity, captured this place which fills so many of us with such nostalgia, longing and frustration. Moore "gets" Havana in its complexity. His photograph of an old man in an undershirt sitting in what must have been the wide second story porch of a sumptuous Hacienda captures the former grandeur the decay and with perfect pitch. Moore doesn't preach but he does he delivers profound insights into the splendor that was and shows us how to see the beauty of this extraordinary place that no amount of squalor can completely hide. His sumptuous images in amazing color have an edge, they can make you feel other's nostalgia and bring you into the life of a people, of their present condition, of where they were, and of where they might be going. Anyone who wants to understand Cuba should buy this book- each picture is worth 1000 words. I went there as a child and I revisited a few years ago and can tell you Moore is as honest as he is artistic. He has an astonishing eye for the telling image, the revealing detail. Even if you are not interested in Cuba buy it- it has some of the most ravishing photographs you will ever see

I'm purchasing this book after seeing it in a gift shop and can't wait to study it further. A photographer myself, I appreciate the work of talented photographers such as Andrew Moore. His choice of subjects and lighting make this book a joy to view. I have referred it to other photographers and I haven't even received my copy yet! Keep up the beautiful work!

I have had the opportunity to travel in Cuba on more than one occasion and am profoundly drawn to the people and the environment. Though I often times feel that photographic books do not adequately capture the essence of "real" places, I have found this book to be descriptive beyond words. The photographs tell a story of collapse and revival -- of time lost -- of hope -- of battle -- of corrosion -- of endurance.... Havana is alluring and repulsive in the same glance. Few photographers can capture such complexity in a single image. This book is amazing.

A very informative book. I plan to build a stripper in the near future and this book supplied me with the information that I was needing and also clear step by step instructions.
Very fast delivery time to receive the book also.

I have build the Redbird canoe. The book was almost perfect to help me building. Some minor details were left to my own fantasy. It was very hard to understand the special terminology and translate it (I talk and think in dutch). The result is great however. I can advise everybody who is thinking about building a strip canoe to read this book first. All issues , possible problems, step by step plans, measurements etc. are adequately handled in this book.

This is the first book to get before all other boatbuilding texts. Ted and Merilyn have so clearly illustrated,both in words and pictures building a stripper, someone with ten thumbs will produce a thing of beauty.

If you love basketball at it's purest form you want to read this book.A must read for anyone who call themselves basketball junkies.

The layout and slickness of the book leaves a little to be desired, but for the hardcore fan of high school basketball, this is an excellent book. If you're like me, and growing up your favorite part of Street & Smiths College Basketball Previews were the High School Seniors to watch pages hidden in the back, this is your Bible. Although it claims to list every major high school star from the last 25 years, I'd say the book is most heavily loaded for those players who graduated from 1985 to 1995 or so. Any nationally known name from those years is in here, except for maybe Tracy McGrady and a few other rare exceptions. The book was published in 2001 so it won't contain players like Lebron James or Sebastian Telfair, but those guys are overpublicized anyway and you can read about them in any magazine. This book profiles players who never lived up to their high school potential (Shawn Bradley, Damon Bailey, etc.), to those who are current NBA superstars (Jason Kidd, KG, etc.) Each player has a 2 page review, including a photo or two and some interesting quotes about them during high school. This book is highly recommended.

If you spent even a part of your childhood pouring over Street & Smith's high school All-American list, this is the perfect book for you. It answers the "whatever happened to" question for dozens of former can't miss prospects. Of course, as this book reveals, many of them did miss. The book is full of stats, insights and stories. For every Michael Jordan and Jason Kidd, there was an equally touted Tom Lewis and Jamie Brandon. I hope all of the players profiled in the book had as much fun playing basketball as I did reading about them. If there is a hoops fanatic on your shopping list, I promise they will be thrilled with this gem of a book.

Do wish that things could always remain the same? Have you found that they don't? Are you afraid that you lack the strength and ability to cope with on-going change in your life? Ms. Moore offers the concept that changes are gifts from a loving God, and invites us to consider the benefits, the inherent blessings contained in these gifts. She shares her own personal experiences in surviving cancer, and bankruptcy, just to mention a few. She also includes refreshing, insightful exercises to help one surpass the "helpless victim consciousness", and re-gain mastery over any situation. The book is further enhanced by true experiences of many of Ms. Moore's friends. Each recognized their need to change, for personal and spiritual growth. I especially liked the "Daily Problem Solver" passage, and the "Asking God a Question" exercise on pages 117-118. They are among the many tips presented in this remarkable book to help anyone handle life's difficult moments.

I keep referring to this book because life is made of constant change. The author gives practical advice for going through change gracefully, gaining power as we go. She also gives examples from her own life to illustrate and inspire.

Through the honesty and courage expressed in this book, Mary Carroll Moore helped me facilitate change in my life! The exercises are simple, practical, and life-changing. It has become a handbook for me--every time I find myself facing a new level of change, I pull it out. Invariable, I put my hands on exactly what I need!

THIS BOOK IS TRULY EXCEPTIONAL. JESSICA IS A TRULY BLESSED PERSON. SHE HAS INSPIRED MY LIFE. THERE ARE POEMS IN THIS BOOK THAT MADE ME LOOK AT MY LIFE IN A DIFFERENT,MORE POSITIVE PERSPECTIVE. SHE TOUCHES ON ISSUES LIKE MULTICULTURISM, PREJUDICE WITH IN THE BLACK RACE, AND LOVING BLACK MEN. JESSICA CARE MOORE IS A DIVA AND LOVE HER.

PEACE AND BLESSINGS MASAANI

As a poet, I would like to thank Jessica Care Moore for being the one woman amongst the Blackwomen poets to take her love and anger, and paint a mural of respect for the spoken word artist. As a Black male poet, I feel that it is poets like her that enables other artists to "school" the masses on the wrong doings of all evil entities that are devouring the Black race. Keep Building On my Sister, for one day Chicago, Detroit, New York and the cities alike will feel what we are doing and it is just not performing. Thanks for the reading at Chicago State University.

As an aspiring poet, I love the feeling I get when I vibe off other poets. I want to compare it to a type of high, or maybe a brief encounter with someone deep. However you want to describe it, it was wonderful. Thank you Jessica. P.S. One day I'll give it back to you.

And a great first book. Lovely images and a good story about love, life, the West, growing up, and everything. Recommended if you like modern literature and fiction.

If you've read the prior collections in this series and you thought things couldn't get any better, well you ain't seen nothing yet. This installment of the Swamp Thing graphic novel series contains just six issues from Alan Moore's run (#51-56), but that does include the double-sized blockbuster issue #53. In any case, quantity is meaningless here because Moore and his artistic team have reached the dizzying heights of their powers, unleashing the most mindboggling and gutwrenching stories in comic history. The basic subplot running through the series at this point is Abby's arrest for immoral conduct while Swamp Thing was off saving the universe, and her escape to Gotham City. As Swampy is searching for his true love, she is being held by the authorities in Gotham. In the overwhelming "Garden of Earthly Delights" (issue #53) Swamp Thing unleashes his full elemental powers on the uncaring city that imprisons his lover, and even temporarily defeats Batman in the process. Sadly, Swampy is supposedly assassinated by government agents, and finds his spirit floating in outer space. This is where Moore's imagination really goes into overdrive, giving us the highly unique and moving story "My Blue Heaven" (issue #56), a tremendous tale of loneliness and soul-searching, where Swamp Thing is blue in more ways than one. This episode is also another pinnacle for the artistic team, and much credit must go to colorist Tatjana Wood for her moody and unconventional work. By this point regular artists Stephen Bissette and John Totleben had mostly moved on - Bissette was only doing the covers and Totleben's only major contribution is "Garden of Earthly Delights." The artistic torch had been passed to the outstanding team of Rick Veitch and Alfredo Alcala, who barely miss a beat in keeping the series' haunting and lovely artwork rolling. The only sad thing about this edition of the Swamp Thing series is that fact that Moore's run would soon come to a close.

Ever since the Alan Moore's Swamp Thing Graphic Novels have been coming out I've been making sure to get every one. I like the EC horror feeling to them. Most of the time though something bad happens to ordinary mortels and Swamp Thing shows up and is the means to an end. This time things are different.

Abby Cable, after being accused of "hugging vegstibles" flees to Gotham City. There she is picked up again and put on trial. Swamp things returns from the "American Gothic" tour and looks everywhere for his beloved. When he finds out she's in jail in Gotham needless to say he's [angry] and rips Gotham a new one. Now Swamp Thing is the agressor terrorizing all those innocent mortals untill he gets his love back and not even Batman can stop him (Yeah, Batman can kick anyone ..., but swampy is now on a God level. He turns Gotham into a jungle on a whim)
Trying not to give too much away my favorite Swamp thing story in the book (Perhaps the whole series) is "My Blue Heaven". It's a beautiful, exotic, weird and engrossing tale. It's about the human condition set in a weird alien world. Jonathan Lethem would be impressed. He's the writer of "Girl in Landscape" and "Amnisia Moon". Check him out too.

This is one of the most creative, courageous books I've read in a long time, drawing lessons from something as essential as food to renew our hope in an era of anxiety, cynicism, and learned helplessness. Hope's Edge offers a welcome alternative to a world increasingly dominated by global capitalism, where more is often spent on processing, packaging, and promotion than on the nutritional value of the food itself and where American citizens are becoming unwary guinea pigs for GMO foods.
From their grassroots research spanning five continents, Frances and Anna Lappe bring heartening evidence that democracy is still alive, that our personal choices can add up to make a tremendous difference, and that, as Margaret Mead once said, "a small group of highly committed people can change the world." I recommend this book highly for its compelling vision of creativity, community, and positive social change.

Hope's Edge : The Next Diet for a Small Planet
by Frances Moore Lappe, Anna Lappe picks up where Diet For A Small Planetleft off than in my opinion this is what makes the authors true geniuses and part of the movers and shakers of the past and present. They are not comfortable sitting on their laurels and are instead what I would call true visionaries and brave souls when you consider what the world is like in 2002.

On page 11 I read "I still believe food has this unique power. With food as a starting point, we can choose to meet people and to encounter events so powerful that they jar us out of our ordinary way of seeing the world, and open us to new, uplifting and empowering possibilities. They call us to travel "hopes edge." Thus this is where the title comes in.

The way the writers share their journey to other lands and others states here in the U S is so interesting. Learning about the different eating styles and even in a broader sense how people often eat to deal with pain when in decades past it was a communal thing. People used to eat to live and now as the countries skyrocketing obesity rates show people not only live to eat but they eat to deal with issues that once were dealt with by talking them out. Someday I hope someone writes a book on food as a tranquilizer and how food has become the PC (politically correct) substitute for alcohol.

In the 70's and 80's when Diet for a Small Planet was so popular (and still is) we were in a period where alternative health and eating choices were the venue of the quirky, hippie, even geek world. Now in 2002 we face genetically engineered foods, disease in cattle and now poultry in Asian countries and the authors are now more of a must read than ever.

This is no longer about simply being nice to the land and the animals that are raised for food. It is about the worlds health, the world limited water, and money sources and how what we eat begins long before the food hits our plate.

And I am glad to see the whole uncomfortable subject of Americans skyrocketing obesity rates being discussed as well as the poison that is what I call fast food and junk food and how corporate dollars are the bottom line and that it is the ignorance of the stock holder who is being endangered by the very foods their stock investments produce.

One of these days I hope the Nobel Prize powers that be will start seeing what humanitarians people like Moore-Lappe, Dean Ornish and Paul McCartney are and that Peace Prize needs to go to people who are seeking to help save the world and not kill it. And for my family and I we have returned to a non meat diet. Thanks in part to these excellent examples.

Given the subject matter, one can be forgiven for expecting Hope's Edge to be a depressing read--after all we are pushing our planet to its absolute limit and hope sometimes seems a great folly. But rather than increase my sense of helplessness, the mother-daughter team of researchers and writers (Frances Moore-Lappe and Anna Lappe)have inspired me and indeed pushed the edge of hope a little further. With its documentation of individual lives and community-based solutions, the book reminds me about the importance of our individual decisions. It is easy to become complacent when I live in one of the wealthier parts of the world. It is just as easy to feel helpless and apathetic and to not see the impact I can make simply by supporting my local organic farmers and making other conscientious consumer decisions. Hope's Edge eloquently points to the power of imagination, of envisioning new ways of living and working in community. Thanks Anna and Frances for making the journey and sharing it with the world!

In this round of Swamp Thing installments from Alan Moore (original issues #43-50, which includes the double-size anniversary issue), plot elements that had been developing for a year or more finally come to fruition. That would be a battle even bigger than good vs. evil in the final story of this collection, fittingly titled "The End." Here we see the full apotheosis of Alan Moore's groundbreaking work with comic horror writing, a defunct style that he courageously made hip again at the time. And although the Swamp Thing series was thematically unlike anything else DC was doing at the time, Moore still ties Swampy's saga into the greater DC universe. John Constantine and a collection of minor and obscure characters associated with magic and sorcery help in the great battle for the universe. Meanwhile Swamp Thing allies himself with the heaviest hitters in DC's stable of occult characters, including Spectre, Etrigan (The Demon), Phantom Stranger, Dr. Fate, and the very suave Deadman. There is also a flawless crossover with the then-current Crisis on Infinite Earths epic, surely one of the great endeavors ever undertaken by a comics company.

One very interesting aspect of Moore's plotlines during this period is how Swamp Thing himself often falls into the background of the stories, as the focus is on the horrors around him, and he makes dramatic Lone Ranger-like appearances to save the day. Even in "The End" Swampy is a minor presence, action-wise, then defeats the force of darkness simply by reasoning with it rather than fighting. In this collection's first tale, "Windfall," Swamp Thing only appears on one page, and the focus of the story is a psychedelic fruit that grew on his back. During this period of the series, things were changing artistically, as regular artists Stephen Bissette and John Totleben were often overworked or unavailable. Here Stan Woch and Ron Randall really make their presence felt, especially in the most tremendous story of this stretch, "The Parliament of Trees." This concept is surely inspired by Tolkein, and in turn I bet that Woch and Randall's visual creations were an influence on the producers of the recent "Two Towers" film. By the end of this collection Moore and his great team of artistic collaborators continue to teach us about the deep roots of the Swamp Thing character, and he's not yet done learning himself.

Lets face it, Alan Moore is God's gift to the comic book reader. His stories are so intense, so cerebral, so completely real that I guarantee if you give any of his books to a non-comic fan they will never look at you like you're a childish freak again.
Swamp Thing was his first real American hit and its easy to see why: the tales age like a fine wine and you can use any issue as a jumping on point without becoming the least bit confused.

A Murder of Crows lures you in gently with three stand-alone stories that are reminiscent of Tales From the Crypt, but scarier because they are the quiet kind of horror that gradually build to frightening heights. From there you're launched headfirst into the muck of the massive 'Crisis' crossover DC used in the '80s to clean out its proverbial junk room of convoluted plots and multiple Supermans (There were somewhere in the neighborhood of 5 at the time), only your mind is not in the least bit boggled. Moore keeps things tidy (Plotwise anyway, some of this stuff is not for the squeamish) and the characters to a minimum so you always know what's going on with who and where. The depth he is able to go into as he bounces you from South American cults to British seances to Under-World War III will amaze you. For those Hellblazer fans out there, John Constantine's presence provides some serious magic of the non-Harry Potter variety as well as some wonderfully snarky commentary to lift the gloom a little.

You'll smirk, you'll cringe, you'll shudder and squirm.

You won't have a read you'll have an experience.

In "Murder of Crows", the Swamp Thing graduates from one dimensional 'monster that was once a man' to a world-saving elemental with Alan Moore's signature mix of horror and mysticism. This is the climax to the Swamp Thing's quest for truth and who and what he really is. Along the way he crosses tormented ghosts, a serial killer, a crossover from 'Crisis on Infinite Earths' and most of the magical heavyweights in the DC Universe. I would recommend starting earlier in the run (beginning w/ 'Saga of the Swamp Thing'), but if you want only one peak, this is the one to get. Even if horror is not your bag, if you enjoyed 'Crisis' this is a must have. The ending may leave you wondering if you crossed over into 'Crisis', but the journey is vintage Moore. Outstanding!

Alan Moore, one of the legends of comics writers, made his mark on mainstream comics during his long run in the 1980s on the "Swamp Thing" title. His work on the title transformed it from a more-or-less straightforward superhero title into a mythic saga, unafraid to tackle adult topics and themes.

Originally, the Swamp Thing was a man killed in a lab accident in the Louisiana Swamps, somehow resurrected as a living plant, who battled the usual assortment of villains. Moore's Swamp Thing became a plant elemental, an aspect of a worldwide, Gaian web of plant life called The Green. Moore emphasized Swamp Thing's continued connection to humanity by giving him a human lover, Abigail, and a quest for self-knowledge that Joseph Campbell would have recognized instantly.

DC Comics is republishing Moore's work on Swamp Thing under their Vertigo imprint, as a series of collected graphic novels. This is the third in the series, and probably won't make much sense without having read the first two. It continues the changes in Swamp Thing's character and brings new complexity to the plot and themes of the Swamp Thing's story.

It says a great deal for Moore that even his minor characters can take on a life of their own. In one of the issues reprinted here, Moore and the artists created legendary Vertigo character John Constantine, as a mysterious young Englishman (revealed later as a magician, although that's not explicitly stated in this book) who travels the world, knows a great deal about the Swamp Thing, and is willing to share that knowledge for a price. Constantine proved so popular that DC Comics later made him the star of his own long-running comic book, called "Hellblazer."

Fans of "Hellblazer" will find Constantine's introduction most amusing in retrospect, both for his appearance and his attitude. As originally drawn, Constantine looks a great deal like Sting in the "Synchronicity" days, and his character lacks the blood-bought wisdom and ghosts of his failures that are the hallmark of the later series.

Constantine's appearance signals the start of one of Moore's longest and most mythic sagas, as a Lovecraftian evil arises to challenge all Creation. Only hints of the tale to come appear here, but the introduction itself is worth the price of admission.

If you've never read Moore's work before, start with "V For Vendetta" or "Watchmen," which are self-contained stories (and masterpieces.) If you know Moore's work, but not on the "Swamp Thing" title, start with "Saga of the Swamp Thing" and buy all three collected editions currently in print, including this one. These are classics, and worth the price.

Note: As of the time I wrote this review, Amazon.com listed Moore, Rick Veitch, and Ron Randall as "creators" of this book. Moore was sole writer of these comics when they were first published, but he worked with many artists, some of whom aren't properly credited here.

In this third collection of Alan Moore's important and groundbreaking run on the Swamp Thing series, both character development and sheer gothic American horror become the keys. During this period (original issues #35-42), Swamp Thing learns that he is an elemental spirit in true communion with the plant kingdom. This would become monumentally important to the further development of the character. Moore was tackling both social issues and horror devices at this point, and he was delivering tremendous plotlines in all areas. There are werewolves, vampires, and zombies appearing in the series during this stretch, but this is not cheap slasher fare but strong and innovative literary horror writing. On the social commentary side, the first two installments here, "The Nukeface Papers Parts I and II" tackle chemical and nuclear dumping. Moore dives into women's issues quite believably in "The Curse" (an extreme rarity in comics even today), while "Southern Change" and "Strange Fruit" are very disturbing examinations of slavery and racism in the Deep South. This edition of the Swamp Thing series does not contain any written introductions, but there is a gallery of individual covers featuring the always amazing art of Stephen Bissette and John Totleben. For some reason only four of the eight relevant covers are included, and the withholding of cover art is an overall disappointment in this series of graphic novels. However, that is ultimately a minor concern as the incredible work of Moore, Bissette, Totleben, and their other important colleagues has the power to blow the minds of readers of any kind of fiction.

This collection reprints the best issues of Swamp Thing. For those not at all familier with the character, it is an excellently written and drawn comic about a good swamp monster battling evil (and is much better than that description makes it sound).

Notable in this third volume of the series, which reprints the beginning of the "American Gothic" story arc, is Moore's greater use of social critique, elevating these stories above mere entertaining, well-written horror stories. By combining fantastic horrors to such real-life horrors as racism and sexism, these stories are far more effective than any in the earlier collections at terrifying the reader.

In "American Gothic", Swamp Thing is sent scurrying to different parts of the U.S. by a manipulative figure (Jon Constantine) to battle all of the classic horror figures (vampires, werewolves, zombies, etc.), but each are handled in an absolutely brilliantly unique and new manner. For example, there is a whole town of vampires living underwater, completely shielded from the sun, in the process of, for the first time, living communally and cooperating to breed a second generation of vampires that are more powerful and horrific (the dedication of the vampires to family is contrasted by the dysfunctional families of the normal humans). The title story, "The Curse", is a unique Werewolf story, tying in the monthly transformation according to the phases of the moon to the menstrual cycle. The Curse was controversial due to its misinterpretation by illiterate readers as being a sexist comment on PMS when in reality it is an extremely feminist story condemning society for its male-driven fear and shunning of the feminine, and the subjugation of women into sexual objects or housewives.

The American Gothic story arc does not conclude in this issue (although the individual stories can be enjoyed on their own) so hopefully a volume 4 will follow.

By this point, Moore was also using word games in his text more frequently (read carefully) adding an extra level of enjoyment. This collection also contains the first appearance of Jon Constantine, and it is a period I miss. Here Constantine is a totally mysterious, manipulative character whose only real power is his mysteriously obtained knowledge and who always adds an element of dark humour (he is still a great character, but far less mysterious, and he now has magical skills, the extent of which appear to change from appearance to appearance).

This collection represents, if not Moore's best, then the best of Swamp Thing.